| rdf:type | <https://jpsearch.go.jp/term/type/絵画> |
| rdfs:label | "Horses and Grooms in the Stable" |
| schema:name 2 | "Horses and Grooms in the Stable" @en |
| schema:name | "厩図屏風" @ja |
| ns0:accessInfo | #accessinfo |
| ns0:agential | _:vb4329662 (an orphan bnode) |
| ns0:relatedLink 9 | _:vb4329666 (an orphan bnode) |
| ns0:relatedLink | _:vb4329663 (an orphan bnode) |
| ns0:relatedLink | _:vb4329667 (an orphan bnode) |
| ns0:relatedLink | _:vb4329664 (an orphan bnode) |
| ns0:relatedLink | _:vb4329665 (an orphan bnode) |
| ns0:relatedLink | _:vb4329670 (an orphan bnode) |
| ns0:relatedLink | _:vb4329671 (an orphan bnode) |
| ns0:relatedLink | _:vb4329668 (an orphan bnode) |
| ns0:relatedLink | _:vb4329669 (an orphan bnode) |
| ns0:sourceInfo | #sourceinfo |
| ns0:temporal | _:vb4329672 (an orphan bnode) |
| schema:creator | <https://jpsearch.go.jp/entity/chname/土佐派> |
| schema:dateCreated | "1500-1599" |
| schema:description 12 | "wall_description: The size of this intriguing pair of byōbu is noteworthy because its original dimensions were different. The horizontal band of golden paper at the top was probably added between the seventeenth and nineteenth centuries. What is more, comparing these screens with others depicting stable scenes suggests that the bottom may have been trimmed, seemingly bringing the viewer closer to the setting and its activities.<br>The impressive steeds are tethered in separate stalls beneath a cedar bark roof much like those still used in traditional Shinto shrines. Each horse is rendered as a particular animal through placement, pose, and coloration. In front of the divider posts for the stalls, which coincide with the individual panel borders, is a fascinating mélange of medieval people and animals. Arranged on and along the double band of deep green tatami mats or the brown wood veranda upon which the tatami are placed, these vignettes provide insights into the culture and society of the later Muromachi period. The horses exhibit the isolated, graceful stateliness long associated in Japan with their power and beauty, and the human figures are comfortable with one another despite their considerable age and social differences. We see stable grooms, courtiers, aged priests, a page boy, a falconer, and a young child playing with a monkey. Also conspicuous are the riding and gaming equipment, animals and birds, and especially the various styles of textiles then in vogue. Not portraits, the figures instead represent types, but they do recall the enduring Japanese interest in mirroring real people from varying social levels. This genius for expressing human wit as well as the overall abstract design sense emanates from a deep familiarity with everyday reality.<br>Following the earlier illuminated handscroll traditions of the Heian and Kamakura periods in which views of everyday life occupy common ground with religious and aristocratic subject matter, the stable theme represents the revival of attention to patently indigenous subject matter, executed with a palette of mineral pigments in yamato-e, the colorful native Japanese style. Such paintings stand in stark contrast to imported subject matter executed with ink washes in <em>kara-e</em>, or Chinese style. <em>The Four Accomplishments</em> (1979.46.1-2) provides a timely example of that genre, instructive in contrasting palettes, techniques, settings, and depictions of figures.<br>Of the byōbu known with this subject, it is currently regarded as the earliest that survives. Its author remains a mystery, as is normally the case among yamato-e artists before 1600. Nevertheless, it has a distinguished history of ownership dating back to the sixteenth-century Tokugawa family, whose paulownia crest appears in gold lacquer on a saddle in the left screen....(more)" |
| schema:description | "creditline: Edward L. Whittemore Fund" |
| schema:description | "作者等:" |
| schema:description | "type: Painting" |
| schema:description | "measurements: Image: 146.1 x 346.8 cm (57 1/2 x 136 9/16 in.); Overall: 160.3 x 363 cm (63 1/8 x 142 15/16 in.); Closed: 163.8 x 62.3 x 11.5 cm (64 1/2 x 24 1/2 x 4 1/2 in.); Panel: 160.3 x 60.5 cm (63 1/8 x 23 13/16 in.); with frame: 163.3 x 366 cm (64 5/16 x 144 1/8 in.)...(more)" |
| schema:description | "tombstone: Horses and Grooms in the Stable, early 1500s. Tosa School (Japanese). Six-panel folding screen; ink, color, and gold on paper; image: 146.1 x 346.8 cm (57 1/2 x 136 9/16 in.); overall: 160.3 x 363 cm (63 1/8 x 142 15/16 in.); closed: 163.8 x 62.3 x 11.5 cm (64 1/2 x 24 1/2 x 4 1/2 in.); panel: 160.3 x 60.5 cm (63 1/8 x 23 13/16 in.); with frame: 163.3 x 366 cm (64 5/16 x 144 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund 1934.373.2...(more)" |
| schema:description | "id: 114778" |
| schema:description | "員数:6曲1双" |
| schema:description | "culture: Japan, Muromachi period (1392-1573)" |
| schema:description | "年代・世紀:室町時代・16世紀" |
| schema:description | "technique: Six-panel folding screen; ink, color, and gold on paper" |
| schema:description | "collection: ASIAN - Folding screen" |
| schema:image | <https://openaccess-cdn.clevelandart.org/1934.373.2/1934.373.2_web.jpg> |
| schema:relatedLink 9 | <urn:x-cite:Cunningham,_Michael._Two_Exhibitions_of_Japanese-g3842061306> (➜ "Two Exhibitions of Japanese Painting.") |
| schema:relatedLink | <urn:x-cite:Cleveland_Museum_of_Art._To_yo__kaiga_no_seika__-g40146157> (➜ "Tōyō kaiga no seika: Kurīvurando Bijutsukan no korekushon kara : tokubetsuten. 1998.") |
| schema:relatedLink | <urn:x-cite:Cuningham,_Michael_R._Unfolding_Beauty__Japanese-g364518206> (➜ "Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art") |
| schema:relatedLink | <urn:x-cite:Cunningham,_Michael_R._The_Triumph_of_Japanese_S-g2116462476> (➜ "The Triumph of Japanese Style: 16th-Century Art in Japan.") |
| schema:relatedLink | <urn:x-cite:The_Cleveland_Museum_of_Art_Handbook._Cleveland,-g399244699> (➜ "The Cleveland Museum of Art Handbook.") |
| schema:relatedLink | <urn:x-cite:Handbook_of_the_Cleveland_Museum_of_Art_1969._Cl-g2858235092> (➜ "Handbook of the Cleveland Museum of Art/1969") |
| schema:relatedLink | <urn:x-cite:Handbook_of_the_Cleveland_Museum_of_Art_1978._Cl-g1739799197> (➜ "Handbook of the Cleveland Museum of Art/1978") |
| schema:relatedLink | <urn:x-cite:Handbook_of_the_Cleveland_Museum_of_Art_1966._Cl-g3331029666> (➜ "Handbook of the Cleveland Museum of Art/1966") |
| schema:relatedLink | <urn:x-cite:Admired_from_afar__masterworks_of_Japanese_paint-g2417677653> (➜ "Admired from afar: masterworks of Japanese painting from the Cleveland Museum of Art") |
| schema:temporal | <https://jpsearch.go.jp/entity/time/1500-1599> (➜ "1500～1599年") |
This resource "Horses and Grooms in the Stable" is, in addition, simply-referenced by the following URIs. (The next table describes reverse link where the right and left columns represent the subject and the predicate respectively and whose object is this resource, in the source. These subjects have no other attribute in this source.)
| is ns1:item of | _:vb4333730 |
| is rdf:first of | _:vb4333786 |
| is schema:workFeatured of 4 | <http://purl.org/net/ld/jpsearch/data/cleveland-exhib-admired-2014> |
| is schema:workFeatured of | <http://purl.org/net/ld/jpsearch/data/cleveland-exhib-asian-paintings-1998> |
| is schema:workFeatured of | <http://purl.org/net/ld/jpsearch/data/cleveland-exhib-japanese-decorative-1961> |
| is schema:workFeatured of | <http://purl.org/net/ld/jpsearch/data/cleveland-exhib-screen-2001> |