Ink Palette in the Shape of a Gourd - Japan Search model RDF

main image of this resource
Ink Palette in the Shape...
(There is only one resource "Ink Palette in the Shape of a Gourd (陶磁)" with description graph. Other 3 resources are in nested tables, or just refer to the source resource and have no own description)

Ink Palette in the Shape of a Gourd

description of http://purl.org/net/ld/jpsearch/data/cleveland-154661
rdf:type<https://jpsearch.go.jp/term/type/陶磁>
rdfs:label"Ink Palette in the Shape of a Gourd"
schema:name"Ink Palette in the Shape of a Gourd" @en
ns0:accessInfo#accessinfo
ns0:sourceInfo#sourceinfo
ns0:temporal_:vb4331485 (an orphan bnode)
schema:dateCreated"1701-1900"
schema:description 7"id: 154661"
schema:description"creditline: Bequest of Mrs. Severance A. Millikin"
schema:description"type: Ceramic"
schema:description"technique: porcelain, molded and carved, with underglaze blue and overglaze green and gold enamels"
schema:description"tombstone: Ink Palette in the Shape of a Gourd, 18th-19th century. Japan, Edo Period (1615-1868). Porcelain, molded and carved, with underglaze blue and overglaze green and gold enamels; The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin 1989.262...(more)"
schema:description"culture: Japan, Edo Period (1615-1868)"
schema:description"collection: Japanese Art"
schema:image<https://openaccess-cdn.clevelandart.org/1989.262/1989.262_web.jpg>
schema:temporal<https://jpsearch.go.jp/entity/time/1701-1900> ( "18~19世紀")
18 triples ()

This resource "Ink Palette in the Shape of a Gourd" is, in addition, simply-referenced by the following URIs. (The next table describes reverse link where the right and left columns represent the subject and the predicate respectively and whose object is this resource, in the source. These subjects have no other attribute in this source.)

Simply-referenced http://purl.org/net/ld/jpsearch/data/cleveland-154661
is schema:workFeatured of<http://purl.org/net/ld/jpsearch/data/cleveland-exhib-severance-1990>
1 triples ()
19 triples