| rdf:type | <https://jpsearch.go.jp/term/type/版画> |
| rdfs:label | "YUBARI MATRIX 1992-1995より" |
| schema:name 3 | "YUBARI MATRIX 1992-1995" @en |
| schema:name | "YUBARI MATRIX 1992-1995より" @ja |
| schema:name | "YUBARI MATRIX 1992-1995より" @ja-kana |
| ns0:accessInfo | #accessinfo |
| ns0:agential | _:vb48207660 (an orphan bnode) |
| ns0:sourceInfo | #sourceinfo |
| schema:creator | <https://jpsearch.go.jp/entity/chname/岡部昌生> |
| schema:description 2 | "岡部昌生（1942- ）は、根室生まれ。1970年代後半から、フロッタージュの技法を用い、広島、光州など、近現代史において重要な土地の遺跡、遺構を対象に、都市に内在する記憶や歴史の痕跡を記録する作品を制作し続けている。また、市民との共同制作やワークショップも数多く行ってきた。本作はかつて多くの炭鉱が開かれた夕張の様々な遺構を刷りとった作品群の一部。鑑賞者は、近代エネルギー産業の変遷と炭都として盛衰した夕張の歴史に思いをはせることとなる。...(more)" |
| schema:description | "Masao Okabe (1942–), born in Nemuro City, specializes in the frottage technique. Since the latter 1970s, he has taken rubbings from remains and structural remnants in Hiroshima, Kwangju, and other places that are important in modern and contemporary history, creating works that record traces of history and embedded memories. He has also created works jointly with local residents and has held many workshops. The work pictured here is part of a group of rubbings from various structural remnants in Yubari, which once had many coal mines. It surely turns viewers’ thoughts to the changes that took place in the modern energy industry and the rise and fall of Yubari, a city that once thrived on coal mining....(more)" |
| schema:image | <https://hdm-production.s3-ap-northeast-1.amazonaws.com/1286/conversions/1634020111-thumbnail.jpg> |