| rdf:type | <https://jpsearch.go.jp/term/type/絵画> |
| rdfs:label | "家兎" |
| schema:name 3 | "Rabbits" @en |
| schema:name | "家兎" @ja |
| schema:name | "かと" @ja-kana |
| ns0:accessInfo | #accessinfo |
| ns0:agential | _:vb48207564 (an orphan bnode) |
| ns0:sourceInfo | #sourceinfo |
| schema:creator | <https://jpsearch.go.jp/entity/chname/竹内栖鳳> |
| schema:description 2 | "竹内栖鳳（1864-1942）は、近代京都画壇を代表する日本画家。四条派の土田英林、幸野楳嶺に師事。自らの渡欧経験も踏まえ、対象の本質を捉える写生の重視、画家の個性の尊重という新しい絵画観を示し、京都画壇の近代化を主導した。また、門下から上村松園や土田麦僊ら多くの画家を輩出した。３羽のウサギの的確な描写は、綿密な写生に支えられており、伸びやかな輪郭線、絵具の滲みと線描を交えた体毛の表現に卓越した技量がうかがえる。...(more)" |
| schema:description | "Seiho Takeuchi (1864–1942) was a leading Japanese-style painter in modern Kyoto painting circles. He studied under Eirin Tsuchida and Bairei Kono of the Shijo school. Based on his experience of traveling in Europe, he showed new perspectives on painting—the importance of drawing from nature in capturing the essence of painting subjects and of respect for the individuality of painters—and he led the modernization of Kyoto painting circles. Among his disciples appeared many talented painters, including Shoen Uemura and Bakusen Tsuchida. The accurate depiction of three rabbits in the work pictured here was supported by his meticulous sketching. Their flowing outlines and the expression of their fur, done by drawing lines and making paint run, show his outstanding skills....(more)" |
| schema:image | <https://hdm-production.s3-ap-northeast-1.amazonaws.com/1263/conversions/1634019412-thumbnail.jpg> |