| rdf:type | <https://jpsearch.go.jp/term/type/工芸> |
| rdfs:label | "P. 040901" |
| schema:name 2 | "P. 040901" @en |
| schema:name | "P. 040901" @ja |
| ns0:accessInfo | #accessinfo |
| ns0:agential | _:vb48207562 (an orphan bnode) |
| ns0:sourceInfo | #sourceinfo |
| schema:creator | <https://jpsearch.go.jp/entity/ncname/家住利男> |
| schema:description 2 | "家住利男（1954- ）は、栃木県生まれ。東京ガラス工芸研究所を卒業後、板ガラスを積層し、その断面を削り出して作品にする技法を一貫して追求。連続した立方体など角ばった形から、水滴のような伸びのある球体へ、また近年では柱状の形へと形状を変え、ガラスの透明感と屈折する視線のなかに、水の中をのぞき込むような静謐で深遠な世界を作り出している。一時就職していたカメラメーカーで学んだレンズ研磨の技術を生かし、石彫の道具で削り込む作品は、ガラスの透明感を生かした彫刻作品ともいえよう。...(more)" |
| schema:description | "Born in Tochigi Prefecture, Toshio Iezumi (1954–) graduated from Tokyo Glass Art Institute. He has since pursued his technique for laminating glass sheets into a block and carving and polishing it into glass works. As he grinds and polishes the surface of cubic or other rectangular glass, the surface comes to undulate like a drop of water or more recently like a cylinder. The transparency of the glass and the light that permeates and reflects from the glass object produce a calm, profound world, a world that one can find when looking into water. The works he crafts using stone carving tools and the lens-polishing skills he acquired while working for a camera manufacturer are unquestionably sculptural works that utilize the transparency of glass....(more)" |
| schema:image | <https://hdm-production.s3-ap-northeast-1.amazonaws.com/1237/conversions/1634016961-thumbnail.jpg> |