rdf:type | <https://jpsearch.go.jp/term/type/版画> |
rdfs:label | "寺院のシメオン" |
schema:name 3 | "Simeon in the Temple" @en |
schema:name | "寺院のシメオン" @ja |
schema:name | "じいんのしめおん" @ja-kana |
ns0:accessInfo | #accessinfo |
ns0:agential | _:vb48207877 (an orphan bnode) |
ns0:sourceInfo | #sourceinfo |
schema:creator | <https://jpsearch.go.jp/entity/chname/レンブラント・ハルメンスゾーン・ファン・レイン> |
schema:description 2 | "レンブラント・ファン・レイン(1606-1669)は、オランダ、ライデンに生まれ、同地で画家として独立。その後、アムステルダムに移る。肖像画や宗教画の傑作を数多く残した17世紀オランダを代表する画家・版画家である。本作の主題は『新約聖書』(ルカ福音書2.22-39)。長老のシメオンに抱かれた幼子イエスに、光を浴び頭上に精霊が浮かぶ女預言者アンナが近づいてきている場面である。初期の激しいバロック的な様式から徐々に離れ、深い洞察を含んだおだやかな作風への移行が見られ始める頃の作品。...(more)" |
schema:description | "Rembrandt van Rijn (1606–1669) was born and established himself as a painter in Leiden, Netherlands, before moving to Amsterdam. A prolific painter and printmaker, he was representative of the Netherlands in the 17th century, leaving behind many masterpieces of portraits and religious pictures. The work pictured here depicts a scene from the Gospel of Luke (2:22–39) in the New Testament, in which Anna the Prophetess, bathed in the light of the Holy Spirit above her head, approaches the baby Jesus held in the arms of an old man named Simeon. This work shows Rembrandt shifting away from the Baroque style of his early work toward something more insightful and subtle....(more)" |
schema:image | <https://hdm-production.s3-ap-northeast-1.amazonaws.com/1233/conversions/1634016334-thumbnail.jpg> |