花鳥人物図屏風 - Japan Search model RDF

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花鳥人物図屏風
(There is only one resource "花鳥人物図屏風 (絵画)" with description graph. Other 2 resources are in nested tables, or just refer to the source resource and have no own description)

花鳥人物図屏風

description of https://jpsearch.go.jp/data/hdm-49
rdf:type<https://jpsearch.go.jp/term/type/絵画>
rdfs:label"花鳥人物図屏風"
schema:name 3"Flowers, Birds and Figures" @en
schema:name"花鳥人物図屏風" @ja
schema:name"かちょうじんぶつずびょうぶ" @ja-kana
ns0:accessInfo#accessinfo
ns0:agential_:vb48207637 (an orphan bnode)
ns0:sourceInfo#sourceinfo
schema:creator<https://jpsearch.go.jp/entity/chname/蠣崎波響>
schema:description 2"Hakyo Kakizaki (1764–1826) was the fifth son of Sukehiro Matsumae, the lord of the Matsumae Domain, and was adopted by the Kakizaki family, whose head served as the chief retainer of the lord. Hakyo studied painting under Shiseki So of the Nanpin school in Edo, and later studied Maruyama school painting in Kyoto. He painted superb bird-and-flower paintings and beautiful woman paintings all the while serving as the chief retainer of the domain. The work pictured here is a 12-part folding screen pasted with bird-and-flower paintings and human figure paintings in which Hakyo excelled, including crane and tortoise, Yang Guifei and the Tang Emperor Xuanzong, a mandarin duck, and reeds and duck. In his later years, Hakyo was nicknamed Okyo Matsumae because his painting style influenced by Okyo Maruyama, the founder of the Maruyama school, known for its realistic paintings. The elegant expressions of this work clearly show Hakyo’s painting skills....(more)"
schema:description"蠣崎波響(1764-1826)は、松前藩主・松前資広の五男として生まれ、藩の家老を務める蠣崎家の養子に入った。江戸で南蘋派の宋紫石に師事し、のちに京都で円山派を学んだ。家老として藩の要職を務めながら、優れた花鳥画や美人画を描いた。本作は鶴亀、楊貴妃と玄宗皇帝、鴛鴦に芦鴨など波響が得意とした花鳥図と人物図を12面の屏風に仕立てたもの。晩年の波響はその画風から「松前応挙」と呼ばれ、本作の優美な表現にその画技が存分にうかがわれる。&nbsp;...(more)"
schema:image<https://hdm-production.s3-ap-northeast-1.amazonaws.com/1302/conversions/1634020739-thumbnail.jpg>
14 triples ()
14 triples